Kissing the Mask Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, Kabuki Goddesses, Porn Queens, Poets, Housewives, Makeup Artists, Geishas, Valkyries and Venus Figurines
Place Published: New York
Publisher: Ecco Press
Date Published: 2010
Edition: First edition
Condition: as NEW
Book Id: 20734
504 pp. Octavo [23.5 cm] White boards with red title printed on the spine. Red, white and black dustjacket with artwork. NEW. Hardcover.
From Publishers Weekly:The performance of female characters by male Noh actors sparks a deeply researched, lovingly detailed, and obsessive discourse on the nature of feminine beauty by award-winning novelist and essayist Vollmann (Imperium). The book charts an increasingly peripatetic path through the meticulous yet ineffable art of Noh drama from the perspective of an enthusiast, all the while groping toward some definition of beauty and the feminine. But the feminine, and even the label female, is something widely claimed, and so the search takes him from a Tokyo transvestite bar to the feet of a master Noh actor—Umewaka Rokuro, scion of an ancient acting family—to the lips of the uncanny masks themselves, the kimonos of Kabuki geishas, and well beyond, traipsing far and wide across India, Babylon, the American fashion magazine industry, old Norse literature, the paintings of Andrew Wyeth, Yukio Mishima's Noh heroine Komachi, and a transgender community in Los Angeles, among other stops. The fervently reflective, probing narrative—replete with footnotes, glossary, illustrations, appendixes, and asides—demands patience, but rewards it on almost every page. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.